BA (Hons) Fashion Pattern Cutting
Prepare yourself for a successful career as a pattern cutter for contemporary fashion by contributing innovative solutions through traditional craft.
Applications closed 2018/19
Applications for 2018/19 entry to this course have now closed. Visit the Clearing page for a full list of UAL courses that are open for application.
This undergraduate embroidery course will help you become a creative designer for fashion textiles through the specialist pathway of embroidery.
The BA (Hons) Fashion Textiles: Embroidery course is situated in the School of Design and Technology and is for students who want to be innovative textile designers for the fashion industry. Textiles demand an inventive approach to design and realisation, and this course focuses on creative approaches to the development and realisation of contemporary fashion textiles. We believe that technology and skills inform the design process and foster creativity.
You will be able to explore surface pattern and texture for fashion fabrics through a variety of traditional craft and contemporary embroidery and embellishment processes. The course benefits from the most extensive range of embroidery craft machines within the UK, as well as the latest equipment for digital embroidery production, laser cutting and engraving. You will also study a range of print processes which will extend your potential for creative design. Through learning skills, applying technology and developing your individual creativity you will become an innovative and original textile designer able to design for international markets ranging from high street to couture.
Take a tour of LCF's world renowned fashion library, ideal for research and study.
Take a tour of Lime Grove's textiles facilities from construction labs to knitwear machinery.
Explore our social spaces, for collaborative study and breaks, across our six sites in London.
This course is subject to revalidation. Revalidation is a process that makes sure students get a high quality academic experience. During revalidation there may be some changes to course content. Please contact us if you have any questions about this course.
The course will develop your skills in research, drawing, design development and presentation, fashion textile development and manufacture, 3D awareness, fashion textile forecasting and trend development, market analysis, and awareness of textile and fashion ethics such as sustainability.
It is fashion focused, with opportunities to experiment, apply and inspire technical, creative collaborations across courses including pattern cutter, menswear and womenswear students in the 3D realisation of your textile designs. This collaborative practice is established through appropriate sponsored projects and cross course partnerships in the first and second years of the course and may lead to collaborations where final year textile students and final year fashion students work together to produce a complete textile and fashion product range.
During the course you will undertake a range of projects, many of which are in conjunction with specific labels or companies, or are for a particular sector of the market. This wider involvement with industry and society is invaluable to your development as a designer, as is the opportunity to enter national design competitions and take part in collaborations across the College on specific external projects. The short work placement will enable you to experience the reality of working within a particular company, together with the chance to make useful contacts for your future career.
Fashion textile students participate in international competitions, winning awards with annual textile competitions such as Texprint, Hand and Lock - as well as fashion competitions such as FAD with Fashion Scout at London Fashion Week and Diversity NOW competition with I-D Magazine. Our students continue to receive press across a wide range of international publications including Dazed & Confused, Vogue, I-D, and Wonderland.
Echoing the focus on drawing on the course, students have also won awards at the Nina De Yorke Scholarship Award for Illustration, DRAW FASHION awards and CASS ART illustration competitions.
Recent Fashion Textiles graduate Moe Takahashi won the Orly Tenzer Textile Award prize at Vauxhall Fashion Scout during London Fashion Week, as part of the FAD Competition.
Recent accolades have seen LCF BA Fashion Textiles student Elizabeth Ranson win the prestigious Worshipful Company of Framework Knitters Award for her advocate of natural dyes and sustainability in her final year work and Fashion Textiles graduate Emily Grieves winning the Society of Dyers and Colourists London.
Year one - stage one - level 4 - 120 credits
Term one: Introduction to Study in Higher Education: Fashion Textiles (20 credits); Design and Technical Process (20 credits)
Term two: Introduction to Cultural and Historical Studies (20 credits); Creative Context (20 credits)
Term three: Introduction to Industry Practice (40 credits)
Year two - stage two - level 5 - 120 credits
Term one: Cultural and Historical Studies (20 credits); Future Craft (20 credits)
Term two (or three): Research Methods (20 credits); Designer Identity (20 credits)
Term three (or two): Work Experience and Professional Studies (40 credits)
Third year - stage three - level 6 - 120 credits
Term one: Design Synthesis (20 credits)
Terms one, two and three: Contextualising Your Practice (60 credits)
Terms two and three: Final Major Project (40 credits)
Students on this course might be invited to participate in study trips. This may involve, for example, visits to key areas of capital cities, factories, stores and museums. Attendance on these trips is not compulsory but recommended. Details regarding timings and costs will be issued closer to the relevant trips.
In the first term you will study two units.
Introduction to Study in Higher Education: Fashion Textiles aims to introduce you to your course and its subject specialism as well as to effective learning and studentship at undergraduate level. It will orientate you to the practices and knowledge base needed to understand your discipline and help you to develop your skills for independent and collaborative learning, reflection and your own self development. Students come from many diverse educational backgrounds and a part of this unit will enable to reflect on your own background and how that shapes the way you approach your course.
The Design and Technical Process unit introduces you to textile design research methods and their relevance and application to the design process and the realisation of ideas. You will learn the importance of research in informing the originality of design and its realisation. Visual communication through an emphasis on drawing and exploration of techniques will be encouraged and you will be introduced to ways of recording your work in a visually stimulating, exciting and informative way by exploring a variety of methods and media. You will develop creative ideas that relate to and expand upon your visual references, and you will be introduced to and start to use the resources for embroidery to produce creative samples and consider 3D realisation. Induction in the Materials Library informs your knowledge of fabric identification and sourcing for fabrics for your embroidery specialism.
In the second term you will study two units.
Introduction to Cultural and Historical Studies introduces you to key concepts and ways of thinking about fashion and its context in society and culture. You will attend lectures, seminars and workshops, and do a significant amount of reading of academic texts in order to complete a formal academic essay for assessment. Completion of this unit will allow you to make an informed choice of subject for study in the second year Cultural and Historical Studies unit.
Creative Context gives you the opportunity to build on your research, design development and technical core skills by conducting independent design and market research. You will develop design concepts and realise and present original samples through your specialism. This will give you experience of problem solving through using technical production methods. You will further develop your drawing and presentation skills, as well as learning IT programmes for design development, communication and presentation. Your development and use of colour in designing a range of textiles will be an important aspect of this unit.
In the third term you will do the Introduction to Industry Practice unit which introduces you to working collaboratively in design teams to answer a simulated or professional brief. You will attend business and marketing lectures to inform the design philosophy and its appropriate market level that team members will work together to develop. This will determine the nature of the textile design that the team will produce as core pieces within a capsule collection. The team will collate relevant information, challenge and expand upon creative concepts and theories and relate this knowledge to working practice. You will learn about brand identity, market levels, customer profile, pricing and range building. This unit encourages team members to collaborate with each other to produce the best possible outcomes, and you will develop your networking, communication and presentation skills through creative problem solving. The use of CAD for the development of fashion textile design and presentation will be promoted.
In the first term you will be able to study a Cultural and Historical Studies unit of your choice that will broaden or deepen your learning of areas relating to your interests in your chosen field. You will have the opportunity to participate in lectures, seminars and workshops with students from other courses within your School, and will read relevant academic texts and complete a formal academic essay for assessment.
Also in the first term, the Future Craft unit gives you the opportunity to consider the future of textile design through research and consideration of the environmental, social and cultural impact of your textiles on a global level. It will prepare you to predict, influence and inform forecasting as well as increasing your contextual knowledge, design development techniques and technical skills within your pathway. There will also be an emphasis on professionalism through portfolio presentation and the development of interpersonal skills through formative peer presentation. You will be asked to explore the possibilities of creating and promoting a range of fashion textiles to external clients, including real or simulated industry contacts, and / or cross course designers. You will further develop processes within the 2D and 3D translation of ideas, with a dual emphasis on the innovative use of hand / traditional / craft techniques and digital processes in order to create contemporary considered design proposals. Your use of appropriate industry-relevant software packages will be further developed in conjunction with the design and technical skills sessions, and these should be used as a vehicle for both experimentation and clear communication of ideas.
In the second term the Research Methods unit provides you with an opportunity to explore and experiment with different critical and methodological approaches to research, while also introducing you to a range of established research methods and the role of research within design and technology. The unit forms an introduction to the Contextualising Your Practice unit and establishes the relationship between theory and practice. You will also consider the relationship between primary and secondary sources, ways of developing and originating research, and methodologies for realising the research in a formal manner appropriate to your subject specialism. You will analyse the applications and any limitations. You will formulate a plan for future research into your subject specialism and construct a research proposal and presentation. This will prepare you for later projects where considerable research skills are needed to underpin your work.
Also in the second term the Designer Identity unit consolidates your learning so far and challenges you to consider your place, role and identity in the fashion textiles industry. You will explore your own design aesthetic and will investigate and produce a body of work that shows an individual and directional response to client, market and product. The research methods that you are studying simultaneously will underpin the initial stages and allow you to explore and develop a concept and subsequent themes. You will evidence research, analysis, design development, experimentation and manufacture through your design outcomes. There will be an emphasis on awareness of the market, and you will be expected to critically evaluate the quality of your design collection.
In the third term the Work Experience and Professional Studies unit gives you the opportunity to further develop your skills learnt on the course and apply them within a professional working environment. You will experience real industry problems and working practice and will be able to look at the ways in which the professional team members operate. You will be able to judge what opportunities exist for your career progression. You will be expected to take an analytical and reflective approach to the placement and you will produce visual and written material that documents your increased understanding of your experience.
Terms Two and Three will be reversed for some students to ensure that all students have a placement in industry.
In the first term the Design Synthesis unit informs and prepares you for your Final Major Project and will allow a full investigation into an exploratory research and practical journey towards a body of work showing innovative design and technical experimentation with material, process and potential garment solutions in 2D and/or 3D to be considered, dependent on your specialism. You will be expected to engage in textile sampling and prototype testing in 2D and/or 3D for both your design and technical portfolios, and the focus is on using your skills to show extensive documentation of creative experimentation. You will identify your proposed market level and customer, and produce a Statement of Intent which identifies your brand ethos and core philosophy as a fashion textile designer, in preparation for your Final Major Project. The completed investigations will form the basis of your collection for your Final Major Project.
Contextualising Your Practice in the first and second term affords you the opportunity to demonstrate your understanding of the critical and analytical perspectives developed within cultural and historical theory and your ability to apply these in a specific study. You will research the topic you identified in the Research Methods unit, which will lead to the production of an extended essay. It is the opportunity for you to undertake a substantial piece of structured research that examines in-depth practical and theoretical issues related to your field of practice; it will build on the critical debates and concerns raised throughout your course.
In terms two and three you will undertake your Final Major Project. This is the culmination of your undergraduate experience and gives you the opportunity to fully develop the work started in the Design Synthesis unit to produce a body of work that reflects a deep engagement with the exploration and development of your design ideas through to your final design collection. The final outcomes may be innovative individual fashion textile collections and/or 3D realisations through cross course collaborations with fashion pattern cutting students. You will be demonstrating rigorous analysis in the exploration and development of your design ideas for fashion textiles. You will be responding to and applying your findings, discovered through your investigation of the challenges of your chosen brief, and you will be evidencing your ability to construct, direct and organise an overall professional outcome, which will include a collection of fashion textile products, a professionally presented portfolio, supported by technical work and written analysis of personal career direction.
All students are advised to set up a profile on portfolio.arts.ac.uk, UAL’s new portfolio platform, which can be done at any point during your time at LCF and will last for up to 12 months after graduation. This platform is often used to source student work for promotional use on the website, social media and for print and can be a great way of getting your work seen. You may also be asked to have a portfolio profile for the selection process when it comes to degree shows.
Our textile courses are unique in that you have the opportunity to explore and strengthen your individual design ethos, within a dynamic collaborative fashion environment of specialist designers.
Laura Bell, Course Leader for BA (Hons) Fashion Textiles: Knit, BA (Hons) Fashion Textiles: Embroidery and BA (Hons) Fashion Textiles: Print
Laura Bell is Course Leader BA (Hons) Fashion Textiles: Print; Knit; Embroidery. Laura Bell is the Course Leader for BA (Hons) Fashion Textiles with academic leadership in the specialist area fashion textiles, which incorporates print, knit and embroidery. Working with luxury companies such as Preen by Thornton and Bregazzi, she has over 15 years experience across specialist roles in textile design, womenswear and illustration, exhibiting her work in Europe, Japan and New York. Her research interests focus on the cross-disciplinary and collaborative approach to textiles and design, and encouraging students with individual creative empowerment to realise their full potential within the field of textiles and pedagogical practice. She puts emphasis on design innovation, raising awareness and challenging attitudes within fashion textiles on the global impact of design and how it can be used as a positive force for change. She has won a number of student-led awards for her teaching, and her professional experience extends to Enterprise and Business Start-Up consultancy.
Sarah Cheyne Lecturer in Printed Textiles for Fashion. BA (Hons) Fashion Textiles: Print; Knit; Embroidery. Sarah Cheyne is a Lecturer for the BA (Hons) Fashion Textiles course and an MA graduate from the RCA. With over 20 years experience in the creative industries including running her Dalston-based design studio. Sarah has created textile designs for clients in Europe, USA and Japan, selling to an international clientele including Christian Dior, Guy Laroche, Aquascutum, Calvin Klein & Macy’s. As an alumni of Texprint (TexSelect) Sarah has worked with the organisation for over 20 years, helping launch the careers of talented textile graduates. As Projects Coordinator she has arranged paid internships with companies such as Paul Smith and Liberty, accompanied prizewinners to Shanghai to exhibit their work at Intertextiles, and is frequently invited as a member of the judging panel for the prestigious TexSelect awards.
Carolyn Clewer Pathway Leader, BA (Hons) Fashion Textiles: Knit. Lecturer Knit. Carolyn Clewer is the Pathway Leader for BA (Hons) Fashion Textiles: Knit and an MA graduate from the RCA. Carolyn works in knit partnership 'Paris Essex' rooted in fashion, archive including knitwear and accessory collections and collaborations. Now creating one-off pieces that blur craft, design, high art and low culture, work has been exhibited, sold and published internationally. Recent collaborations include digitally designed, customised knitwear projects with Unmade Studio and capsule menswear knit collections for Wolsey. Carolyn is an advisor to digital knit machine developers Kniterate. She has extensive teaching experience and has won a number of student-led awards at UAL.
Amanda Griffiths Lecturer. BA (Hons) Fashion Textiles: Print; Knit; Embroidery. Amanda Griffiths is a Tutor for the BA (Hons) Fashion Textiles course and teaches Design across the Textiles specialisms and is a Knit Textiles specialist. Amanda is a graduate from the RCA in Fashion Knitwear and has been a visiting lecturer and Personal Tutor on the RCA Textiles course for many years. She has worked Internationally as an In house Knitwear Designer for companies such as Maxmara, Whistles and Liberty London and has worked as a freelance knitwear designer and consultant, selling to clients such as DKNY, Calvin Klein, Marc Jacobs, Missoni, Gap, French Connection among others. She is also a partner in Jeff Cottenden Photography. Clients include, The Royal Opera House, Barbican, Sony, Conde Nast, and Penguin Random House. Amanda has an extensive range of Higher Education experience in the UK delivering specialist Knitted Textile and Knitwear teaching.
Andy Kenny is the Pathway Leader for BA (Hons) Fashion Textiles: Embroidery and an MA graduate from the RCA. Andy is also the Director of the London Embroidery Studio. His latest research has explored the subversion and manipulation of machines and CAD programs and a narrative and anthropological approach to people-centred design. Andy’s work has been published in magazines such as Vogue and GQ and on style platforms such as WGSN. Recent work was included, in the exhibition and symposium ‘Flight: Drawing Interpretations’, The National Gallery,London.
Michela Carraro is the specialist design tutor for the Fashion Textile courses. She has worked for numerous luxury brands including Alexander McQueen, Biba and Danielle Scutt and has created independent capsule collections that have been showcased in Milan and London. She has collaborated with many photographers and artists including stylist Sarah Richardson on a variety of projects, advertisements and editorial fashion stories for: ID, Russian Vogue, Elle US. Her teaching focuses on design underpinned by the relationship between textile development and the principles of 3D design interpretation.
Polly Kenny is the Programme Director for Materials and has an MA in Fashion Studies. Her industry experience is extensive and has been through collaborative partnerships with, for example, Broderie Anglaise and Peter Wright Europe Ltd, with clients, including Ronit Zilka and Morris Angels, and at the industry’s textile fairs. She is a member of the Higher Education Academy and Vice Chair of the London Branch of the Society of Dyers and Colourists. Her practice-based research focuses on the mark of the hand through digital and craft processes investigating the archive and textile memories.
Rob Phillips is the Creative Director for the School of Design and Technology. Trained in fashion womenswear, surface textiles: print, menswear and illustration. Rob nurtures talent at LCF across all courses within the School, teaching holistically about fashion, developing the students’ full potential so they can make their unique contribution to the fashion industry. Rob continues to contribute to industry as a fashion commentator (BBC, The Guardian, SHOWstudio and more) and as creative consultant for fashion brands.
We are committed to making university education an achievable option for a wider range of people and seek to recruit students from diverse socio-economic, cultural and educational backgrounds. We are committed to supporting all our students in achieving their potential both during and after their courses.
This section includes information on how to apply, course entry requirements, selection criteria, information about interviews and portfolio advice.
Applications for 2018/19 entry for this course are now closed. Applications for 2019/20 entry will open in Autumn 2018.
You must apply through Universities and Colleges Admissions Service (UCAS), where you’ll need the following information:
Go to ‘Apply’ from the UCAS home page, where you will be able to register and create a password that gives you unique access as you complete your application form.
Contact us on:
Telephone: +44 (0)20 7514 7344
Or you can use the UAL Course Enquiry Form
Please note that the equal consideration deadline is 15 January.
For full details on the application process, visit the Undergraduate application page.
This section includes information on how to apply, course entry requirements, selection criteria, information about interviews and portfolio advice.
Applications for 2018/19 entry for this course are now closed. Applications for 2019/20 entry will open in Autumn 2018.
International applicants may apply through one of three routes only:
Further information on applying via UCAS is provided on the Applying through UCAS page.
If applying through UCAS, you will need the following information:
We continue to accept applications throughout the year, but please note that the equal consideration deadline is 15 January.
For full details on the application process, visit the Undergraduate application page or contact the UAL admissions team who can answer any specific questions that you may have regarding LCF's courses tailored for international students. This can include guidance for your portfolio, advice on the application process and fee advice. We offer a ‘drop-in’ facility for applicants who may be in London and wish to obtain further course and admissions information.
Entry to this course is highly competitive: applicants are expected to achieve, or already have, the course entry requirements detailed below.
The standard minimum entry requirements for this course are:
Exceptionally, applicants who do not meet these course entry requirements may still be considered if the course team judges the application demonstrates additional strengths and alternative evidence. This might, for example, be demonstrated by: related academic or work experience; the quality of the personal statement; a strong academic or other professional reference; or a combination of these factors.
All classes are conducted in English. If English is not your first language you will be asked to provide evidence of your English language ability when you enrol.
The level required by the University for this course is IELTS 6.0 with a minimum of 5.5 in each skill.
Please visit the UAL Language Requirements page. Read carefully and look at the relevant documents.
What we look for
The course team seeks to recruit students who can demonstrate:
For this course you will be required to upload a mini portfolio. Further instructions will be sent by the course administrator after application submission. International students should contact the International Office at email@example.com to find out about the portfolio application process.
For this course your portfolio should show evidence of: observational drawing; engagement with texture and form; presentation skills; contemporary fashion/cultural awareness; a level of research, analysis and experimentation; fabric and material selection/knowledge; practical manipulation skills; construction/technical competence; potential to think/work in 3D; and visual communication skills.
Applicants will be expected to demonstrate the following at interview: a strong interest in fashion, fashion textiles and visual imagery; an awareness of technology; a critical and analytical approach; a motivation to succeed on the course; and a motivation for working as a fashion textile designer.
All application forms, personal statements and references are read and considered by the course team against the selection criteria listed in the Entry requirements and What we look for sections.
Depending on the quality of your application, you may be asked to submit a number of images of your work. If the course team wish to consider your application further, you will be invited to an interview where the course team will look at your portfolio and ask you questions to establish your suitability for the course. If you are successful at the interview stage you will be offered a place. Applicants are not guaranteed to be asked to upload work, nor are they guaranteed an interview.
Please note that if you are unable to attend, the College may not be able to re-schedule.
If you applied through UCAS the result of your application will be communicated to you via UCAS through ucastrack. You will only receive further communication directly from the College if your application has been successful. This will be in the form of a full offer pack including details of accommodation, fees, and other important information.
Deferred entry is normally only allowed in exceptional circumstances. Please contact us before you submit your application if you are considering applying for deferred entry.
Applicants on some courses may be invited to attend an Interview. Further details will be sent to you with your interview letter, confirming location and date. International applicants should contact the Admission Office by emailing firstname.lastname@example.org about portfolio requirements (if applicable), interview times and dates.
Please note: the information outlined is an indicative structure of the course. Whilst we will aim to deliver the course as described on this page, there may be situations where it is desirable or necessary for the University to make changes in course provision, for example because of regulatory requirements or operational efficiencies, before or after enrolment. If this occurs, we will communicate all major changes to all applicants and students who have either applied or enrolled on the course. Please note that due to staff research agreements or availability, not all of the optional modules listed may be available every year. In addition, the provision of course options which depend upon the availability of specialist teaching, or on a placement at another institution, cannot be guaranteed. Please check this element of the course with the course team before making a decision to apply.
We will update this webpage from time to time with new information as it becomes available. In the meantime, if you have any questions, please use the enquiry form above.
This applies for the 2018/19 academic year.
Tuition fees for undergraduate degree courses have been set at £9,250 per year for full-time study. This applies from the 2017/18 academic year, subject to changes in the law. Tuition fees may increase in future years for new and continuing students, in line with an inflationary amount determined by government. Please visit our Undergraduate tuition fees page for more information.
This applies for the 2018/19 academic year.
In addition to tuition fees you are very likely to incur additional costs such as travel expenses and the cost of materials. Please read the information on our additional costs page.
Find out about the accommodation options available and how much they will cost.
There are a number of scholarships and awards available to students on this course. Use our search tool to find out more information.
All of our undergraduate courses are concerned with the development of your personal and professional skills. On your course you will evolve from learning basic skills in your discipline through to a position where you are an independent creative thinker capable of making an effective contribution to the relevant sector of the fashion industry. Personal and Professional Development (PPD) skills are embedded in all units on every course. Speaker programmes with contributions from alumni, members of industry and others are a part of many courses, as are work placement opportunities in industry.
Graduates who wish to continue their education at postgraduate level are encouraged to progress to suitable courses within the College, the University or elsewhere.
Students who wish to continue their education at postgraduate level are encouraged to progress to suitable courses within the College, the University or elsewhere. Past graduates have progressed to MA study at the Royal College of Art, Chelsea and Central Saint Martins, as well as internationally such as Parsons in New York.
Many graduates prefer to seek employment as soon as they have completed their undergraduate studies. Recent graduates from this course have worked with a wide range of companies, including Louis Vuitton, Erdem, Fyodor Golan, Mary Katrantzou, Topshop and Adidas. Graduates have been headhunted from LCF Showcase to present work to Victoria Beckham and Tom Ford, among others.