• CollegeWimbledon
  • Start dateNot applicable
  • Course lengthNot applicable

MA Drawing

Course suspended for 2018/19
MA Drawing will not be taking applications for 2018/19 entry. If you are interested in this course please register your interest.

MA Drawing at Wimbledon College of Arts promotes drawing for a purpose, focusing on process, ideas and cross-disciplinary dialogues that explore drawing as a primary form of communication.

The course is aimed at students who want to interrogate the practice of drawing in order to test, redefine and expand its’ limits.

Watch the course video

Course Leader Tania Kovats talks about MA Drawing at Wimbledon.

Student video work

Sunrise/Sunset - Janine Hall - MA Drawing. Music by Linnea Olsson.

Course detail

Content: what students can expect

  • A course that promotes drawing for a purpose, focusing on process and cross-disciplinary dialogues that centre on communicating ideas to an audience, client or user
  • A course that encourages a range of practices and disciplines where drawing languages and methodologies can be developed. These include architecture, art, cartography, dance, design, digital, engineering, illustration, performance, the sciences and writing
  • To develop your drawing, discursive skills and agendas through a re-orientation of your practice
  • Collaborations between diverse disciplines and courses across the UAL Post Graduate Community including participation in the Drawing Research Group:DRAW
  • To have access to rich research sources such as the Stanley Kubrick Archive and Wimbledon’s Jocelyn Herbert Archive
  • To benefit from the college’s established relationships we have with Tate Britain, The British Museum, The National Gallery, The Drawing Room, The Jerwood Drawing Prize, The Centre for Recent Drawing and a range of contemporary drawing research networks
  • To have access to Wimbledon's shared workshops. View the Wimbledon facilities section


Unit One

You will encounter a wide range of approaches to drawing from a diverse range of sources. Debate and innovation will be encouraged, focusing your attention on drawing's multiplicity of purpose, currency and potential for direct communication and dynamic problem solving.

Unit Two

This unit will focus on defining and developing themes from unit one via individual or collaborative research questions. The unit will allow students to set up identifiable internal or external collaborations, and establish specific targets to develop your individual research strategy. 

Unit Three 

The final unit allows students to further develop their individual research questions, and explore and define practical methodologies to articulate drawing for a purpose. The focus of the final unit is on how best to present your work to an audience and build a supportive network around your practice to make it sustainable beyond your MA.

Learning and teaching methods

  • Artist talks
  • Critical practice lectures
  • Graduate school events
  • Group and individual tutorials
  • Group crits
  • Independent practice-led research
  • Practical workshops and inductions
  • Professional practice lectures and seminars

Assessment methods

  • Studio work
  • Written dissertation
  • Research folio



  • Tania Kovats - Course Leader
  • Alison Carlier - Artist and Jerwood Drawing Prize winner
  • Philip Courtenay - Academic
  • Rachel Goodyear - Artist
  • Phil Goss - Artist, illustrator and curator
  • Mary-Ann Kokoska - Artist, Drawing forum, Wimbledon College of Arts and Colorado State University
  • Tim Knowles - Artist
  • Fran Norton - Artist and researcher
  • Colin Wiggins - Head of Education, National Gallery

How to apply

2018/19 entry

Course suspended for 2018/19 entry.

Further information about the application process

You will need to enter the following information in the online application form:

  • Personal details
  • Current and/or previous education and qualification details
  • Employment history
  • Personal statement
  • CV (curriculum vitae)

Once you have submitted the form you will be emailed a link to upload your portfolio.

The course leader will review your work, may invite you to interview, and will then make a decision on your application. 

Entry requirements

  • BA (Hons) degree in either art and design or drawing-related disciplines, including social and other sciences or engineering
  • Alternative qualifications and experience will also be taken into consideration
  • Personal statement
  • Portfolio of work

English language requirements

All classes are taught in English. If English isn't your first language you must provide evidence at enrolment of the following:

Personal statement

This should be about 500 words long and include:

  • Your reasons for choosing the course
  • Your current creative practice and how this will help with your future plans
  • If you do not have any formal academic qualifications please describe your relevant education and experience

Portfolio advice

Portfolios should show the following:

  • Evidence of an independently produced, sustained body of work
  • A coherent set of ideas, subjects or concerns that are relevant to Masters level
  • Critical reflection
  • A sense of direction for future work and study
  • An interest in fine art and other visual art forms

At interview and portfolio review

We look for:

  • Commitment and motivation for studying the subject at Masters level
  • Work that shows potential for further development
  • Demonstrate a holistic understanding of research
  • Ability to identify or speculate on the direction and development of practice and research
  • An awareness of contexts and frameworks for contemporary practice
  • Able to communicate clearly in order to present and discuss work and ideas with others
  • Able to demonstrate written skills 

Successful applicants will be invited to attend an interview and should bring their portfolio.

Applicants may be offered a place on an alternative MA or Graduate Diploma course within Camberwell, Chelsea or Wimbledon. This decision will be based on our assessment of an applicants' creative potential and interests.

Fees and funding

Home / EU fee

£9,500 (Full time - 2017/2018 fees).

International fee

£19,350 (Full time - 2018/2019 fees).

Course fees may be paid in instalments.

Additional costs

In addition to tuition fees you are very likely to incur additional costs such as travel expenses and the cost of materials. Please read the information on our additional costs page.

Equivalent or Lower Qualification (ELQ) fee - Home / EU students whose chosen course is at a level equivalent to, or lower than, a qualification that they already hold, will be charged the fees shown above, plus an additional £1,100 ELQ fee. Students in receipt of Disabled Students' Allowances (DSAs) are exempt from ELQ fees and will pay the original fee, regardless of the highest qualification held.


Find out about the accommodation options available and how much they will cost.

Scholarships and awards

There are a number of scholarships and awards available to students on this course. Use our search tool to find out more information.

Scholarships search

Careers and alumni

Graduates will have a range of options following the MA. Building on the networks they formed on the course some continue with a fine art drawing based practice developing and exhibiting their work in the United Kingdom and internationally. Others work in the arts industry curating and organising exhibitions

Some return to their original disciplines, but with a deeper understanding of drawing as a creative, generative and transformative language.

Due to the cross-disciplinary character of the course students go on to diverse activities. We have had a scientist set up a collaboration with the NHS that uses drawings to deliver complex information about diabetes. Another is working in the computer games industry. Others have gone onto become designers, illustrators, art therapists and teachers.

Some graduates also choose to make the transition to further study, research degrees and PHD level.